Vibe Altar
2026Interactive sculptural installation
An interactive ritual object that responds to human presence through light, sound, language, and moving image.
Every Woman Biennial · Pen + Brush, New York
Interdisciplinary artist + creative technologist
New York
I create interactive systems that redirect attention toward ourselves, one another, and the environments we inhabit.
View selected work ↓
Five works across ritual, vulnerability,
environmental listening, care, and perception.
Interactive sculptural installation
An interactive ritual object that responds to human presence through light, sound, language, and moving image.
Every Woman Biennial · Pen + Brush, New York

Virtual reality / sound
An intimate virtual-reality love letter exploring vulnerability, insecurity, healing, and self-acceptance.

Interactive audiovisual work
Field recordings, environmental data, and bodily interaction become a changing composition between people and the natural world.
NYU ITP · One Mile Gallery · Museum of Wild and Newfangled Art

Augmented reality
Personal memories and emotional reflection become a spatial environment participants can navigate and revisit.
MIT Reality Hack · Wellness Prize

Augmented reality / spatial audio
A spatial audiovisual experience opening conversations around perception, empathy, and experiences that are difficult to communicate.
Games for Change / XR Brain Jam
My practice explores how technology can become a social object: something that helps people notice themselves, one another, and the environments they inhabit.
I work across interactive installation, XR, sound, projection, physical computing, and participatory systems. Rather than treating emerging technology as the subject of the work, I use it to construct situations in which simple human actions — touching, moving, listening, remembering, approaching — become meaningful.
Across projects including Dear Nobody, Sun and Us, LifelinesAR, Sixth Sense, and Vibe Altar, I have explored vulnerability, environmental listening, empathy, care, and ritual.
My current research asks how interactive systems might move beyond the relationship between a person and a machine. I am increasingly interested in interfaces that become meaningful only through multiple people: simultaneous touch, coordinated movement, shared sound, exchanged memories, or other small acts of cooperation.
Can technology create conditions for collective presence rather than isolation?

Yiting Liu is a New York–based interdisciplinary artist and creative technologist working across interactive installation, XR, sound, projection, and participatory systems. Her practice investigates how technology can create moments of empathy, vulnerability, ritual, and collective presence. Her work has been presented through Pen + Brush / Every Woman Biennial, Games for Change, the Museum of Wild and Newfangled Art Biennial, NYU ITP exhibitions, and Network Music Festival. She holds an MPS from NYU’s Interactive Telecommunications Program.
View artist CV ↗A developing body of participatory work investigating physical interfaces that only become meaningful through multiple participants.
Simultaneous touch. Coordinated movement. Shared sound. Exchanged memories. Small acts of cooperation that make the relationship between people the central interaction.
This ongoing research extends the trajectory from individual immersive experiences such as Dear Nobody and LifelinesAR toward public and collective systems such as Vibe Altar.
Pen + Brush, New York
One Mile Gallery
New York University